Marco Solorio of OneRiver Media takes another insight into Blackmagic Design’s new Cinema Camera to see where this camera could further excel in. With the camera sporting 13 stops of dynamic range through a 12-bit RAW data structure, there’s one aspect of production where it truly might be able to hang with the “big boys.”
You may have read my other article here on Creative COW, “Is the New Blackmagic Cinema Camera the HDSLR Killer?” That article was a direct comparison between the Cinema Camera and HDSLR cameras in general. But what if we went a step further? What if we compared the Cinema Camera to the likes of the ARRI Alexa, the Sony F65, and the RED Epic? Have I completely lost mind by comparing the Cinema Camera with the likes of “the big boys”? Making such a comparison is a very tall order to ask, but is it entirely out of the question? Let’s find out…
To read the FULL article, head over to CreativeCow.net and check it out!
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